Vanessa-Mae calls her Guadagnini violin “Gizmo”. Why is that?

Gizmo? You mean that cute thing from the movie ‘Gremlins’?

While I could see Vanessa-Mae owning such a cute animal, the answer is ‘no’.  “Gizmo” is the affectionate name she has given her violin, which was made by GIOVANNI BATTISTA GUADAGNINI in 1761.  Why?  Before we proceed, we should explore the wondrous instrument known as the violin.

“You have not changed a bit!”

There are three things that fascinate me about the violin.  First, close your eyes for a moment and use your imagination.  The violin is some 300 years old, and yet the basic design remains the same.  Can you think of any man-made invention that is so old but yet the design has not changed?  I cannot!

Secondly, for an object that is less than 15″ long and 6″ wide, it can fill an entire concert hall with no acoustical assistance.  Thirdly, you can have a violinmaker (also referred to as ‘luthier’) make two violins from the same piece of wood at the same time.  The two violins will NOT sound identical.  The sound of a violin is as unique as the human fingerprint.  This partially explains why certain antique violins made by famous luthiers (like Antonio Stradivari) are so highly prized and valued.  They are simply irreplaceable!

Vanessa-Mae and her Guadagnini violin
Vanessa-Mae and her violin made by G.B. Guadagnini nicknamed “Gizmo”

“That costs more than my house!”

Some antique violins cost more than a mansion.  Did you know that the most expensive violin in the world is NOT a Stradivarius (or Guadagnini)?  Stradivari might be the most famous, but there are professional violinists who would argue that violins made by Giuseppe Guerneri Del Gesu easily matches the craftsmanship and the sound of Stradivari and Guaduagnini instruments.  In fact, some might argue that his instruments are superior!

Anne Akiko Meyers plays on one (“Ex-Vieuxtemps”), and was appraised for $16,000,000 as of 2013.  That is not a misprint.  The reason for the astronomical value for this particular instrument is its condition.  Her violin was made in 1741.  Any instrument that old usually have some body damage from accidents and wear.  This meant cracks that requires sealant or replacement of the scroll/neck.  Mrs. Meyers’ violin has no damage to it at all.  The body of the violin is 100% original and without defect.  Given the reputation of its maker, this violin is already an extremely rare find.  Having it completely free of damage is almost unheard of!

In case you’re wondering, the primary consensus is that the top 3 violinmakers from that era are Stradivari, Del Gesu, and Guadagnini.

“Can I get a Guadagnini violin?”

The short answer is “unlikely”.  Even if you had the money, most of the prized instruments made by Stradivari, Del Gesu, and Guadagnini are in the hands of famous violinists.  They either buy them for personal use or borrow them on loan for their lifetime use; others are in museums for display only.  But fear not!  The longstanding theory is that such instruments have a sound that is impossible to duplicate.  In a sense, this is undoubtedly true.  As discussed earlier, each violin has its own voice.  From the cheapest violin that might cost you $90 on ebay, to a real Stradivarius violin; EVERY violin is unique.

Surely, the prized violins that cost millions must have a sound that easily separates itself from modern violins.  Would it surprise you to learn that the answer is ‘No’?  A few years ago, there was a double blind test in France where the most respected violinists and violinmakers were invited to participate.  All given instruments to play.  The instruments included a mixture of real Strads, Del Gesu’s, and some modern instruments.  The results were shocking!  None of the violinists or violinmakers were consistently able to distinguish new from old.  What’s also amazing is that some of the violinists own Strads themselves!  Yet they were not able to consistently identify other Strads from modern violins made by today’s luthiers.  You can watch the entire test on Youtube.

“Where do I go?”

With that in mind, why pay for a Stradivarius in the first place?  Despite the findings, it’s still an incredibly rare find and holds a lot of sentimental value.  Besides, just like with most expensive man-made things, you pay for the name above all else.  This also means that you can find something comparable that doesn’t involve you winning the lottery.  The key is knowing where to look.  Most people interested in purchasing a violin do not have the ability to simply drive down to their local violin shop.  Such a shop may not exist or there may be time constraints.

Fortunately, reputable violin shops do exist online.  Such shops usually allow you to try out their instruments with no obligation to buy.  As I said in my bio, I wholeheartedly recommend Fiddlershop.  Pierre Holstein owns the website linked, and you can check out his Youtube channel here.  His family has a violin shop (along with guitars and mandolins) that operates out of Florida.  In my opinion, they sell some of the best instruments you can buy under $5K.  Pierre exhaustively tries out instruments from different workshops, and he will tell you that most do not simply cut it.  He never badmouths the individual or company that makes them.  He simply won’t carry their instruments.  He has instruments for every level–from beginner to professional.  Please, PLEASE never buy an instrument off of ebay!

“What happens if I buy the wrong violin?”

If you’re thinking of starting to learn the violin, there’s no worse way to impede your development by buying a cheaply made violin.  Why?  Cheaply made violins are very hard to play; way harder than it should be otherwise.  It takes too much work to get a acceptable tone out of it.  Because of this, beginners lose interest and stop playing.  If you are serious about learning the violin, then expect to pay a few hundred bucks.  Buying a $100 violin makes no more sense than buying a $100 car.

In Summary …

Vanessa-Mae’s Guadagnini means so much to her for two main reasons: Every violin has its own sound and personality.  If it is destroyed, it is almost as priceless as a human life as it can never be replaced.  In several interviews, Vanessa describes why she stuck with the violin though she played the piano first.  She describes that as a little girl, the violin appealed so much more to her because of its small stature and the shape loosely resembling the human body.  She looked at it similar to how she’d look at a doll.  And to think, she’s been playing on that violin since she was 10 years old.  She is now 37.  “Gizmo” is truly her lifetime partner, and perhaps explains why she is not married.  Well .. maybe. 🙂



Interview with Vanessa-Mae reveals a painful rift she bears..

An interview that shows a glimpse of pain

Vanessa-Mae, arguably the world’s most popular violinist, seems to have it all.  In 2006, The Guardian names her as one of the wealthiest entertainers under 30 years old.  Furthermore, she was selected by People’s Magazine as one of the 50 most beautiful people in the world!  However, an interview that probes into Vanessa-Mae’s private life talks about something else.  The one thing that money can’t buy: a great relationship.

Vanessa-Mae’s mother, Pamela Tan, has been Vanessa’s full-time manager since the beginning.  There is little doubt that she has played a critical role in developing Vanessa-Mae into the world violin phenomenon she is known for.  Vanessa even credits her mother for this in numerous interviews.  Unfortunately, this has come with a price.

Here is a link to an interview she did in February 2014 regarding her relationship with her mother.  It is a very good read, and hardly surprising.  Many celebrities who have parents as their full-time managers seem to have problems.  Those problems arise for a variety of reasons.  In Vanessa’s case, she contends that her mother is too controlling.

She says in the interview that she could not date.  The only thing that should matter is her career according to her mother.  That’s not all.  She says she was also forbidden to play sports as it may pose a risk of injury to her prized fingers.  Reaching a breaking point, Vanessa-Mae feels she must free herself. She fires her mother as her manager on the eve of her 21st birthday.  Since then, she says that her mother has cut off all communication.  Vanessa-Mae accepts her decision and moves on with her career.  She laments that her relationship with her mother goes from one extreme to the other.  I believe Vanessa-Mae hopes to mend their relationship some day.

My Take?

I hope every parent reads the above article and take notes.  No amount of fame is worth sacrificing a good relationship with your children.  Never think that it is acceptable to put the secular success of your children’s career above all else.  Furthermore, never judge your children by their success in the commercial world.  Commercial success has less to do with talent than it does luck.  Not to mention that sometimes children are asked to sacrifice too much for that lifestyle.